The Gamma Tapes is a series of prints, drawings, and painted sculptures about the early life of my immediate family: my father, mother, and sister. Being that we are all living in different parts of the world right now, I found that this was a way to continue work on childhood stories and imagery, but to focus the attention away from myself as the subject, therefore learning, relearning, reinterpreting, and reconnecting with stories from my family’s past.
The project began by carving a visual portrait of each member of the family. Soon following this, I interviewed each person about instances in there formative years that were not necessarily important, but were “memorable,” specifically in the visual sense.
All text was translated from English to Rungish, and then combined with the imagery from the stories. These works reference both the subject, the subject as narrator, and myself as illustrator.
Many stories contained a certain amount of “unattainable information.” These instances are marked with a reference number and relegated to the library of gamma tapes (an out-dated and unplayable media format) that the viewer may reference at their leisure. Many of the tapes are out of order, missing, or damaged, but otherwise in good condition. Each tape label is written in Rungish, with a corresponding gouache painting, all tucked inside a silkscreened tape case.
Below is photo documentation and reference photos of two installed iterations of this project entitled Yung Mail Tails: Another Reading Room Annex. The first was at the Hampden Gallery at UMASS Amherst in October of 2013 and the second was part of a exhibition called “Kodachromia & Perspectrum” at the Hastings College Gallery in Hastings, Nebraska in March of 2014.